So first of all, let me brag: I solved all the rebuses at the beginning of the chapters. Woohoo! It's a fun, almost Dateline-like approach to the history of famously weird cases and neuroscientists. Kean takes delight in surprising the reader with the juicy details. I'd recommend this to readers of Oliver Sacks and Mary Roach.
Read it when you want to complain about taxes. Poverty is unjust and we have to be proactive as citizens and voters. A great introduction to a huge problem. Compelling and balanced.
Mysteries are waltzes, when they're good. And Nesbo spins and dips even without his fictional partner, Harry Hole. This novel is fantastic! Complex without being mind boggling.
There are nasty, dark and dreadful horrors seeping up through the cracks (line breaks) in these poems. After reading, I'm still wondering about trauma and it's immediacy. I liked "Oh, You Really Don't Want to Go into the Library" and the title poem. Really raw.
I was browsing the new books and thought the cover logo was cool. I flipped through the pages and fell in love with the maps. So many people collaborated to make the essays and interviews engaging and educational! Sometimes it feels a little like a guidebook, sometimes like pedantic activist. The chapters are so varied so it never bores the reader. Favorites: "Moves, Remains: Hiding and Seeking the Dead," "Snakes and Ladders: What Rose Up, What Fell Down During Hurricane Katrina" and "Bass Lines: Deep Sounds and Soils".
I think the mechanical horses are the coolest. The art is crisp, sharp and fantastic. Gore galore! Imagine if Tarantino remade Star Wars. Can't wait for #3!
There's a fascinating interview with Nolan inside the front cover. I agree with Nolan's sentiment that the creation of Two Face is inseparable from the evolution of Batman, who's constantly on the bleeding edge of justice. I like the brief cameos of Scarecrow and the Mad Hatter. Joker gets his bazillion gross teeth punched out - also a highlight. Awesome.
Japanese noir/horror. The four friends are figuring out what they're going to be in the real world, when someone takes them out of it. These aren't your typical teens, either. Love the character building that goes on. It's a very compressed, engaging thriller.
An amazing exploration of Greek thought, culture and politics. I loved discovering the origins and meaning of the Parthenon.
It's the Maltese Dildo. Just as hilarious and sarcastic as book one. It seems like Quinn isn't decomposing as much as she was in book one - but, I have to remind myself, this book is more about the funny side of supernatural life and isn't a treatise on how supernatural life could operate. Quick and light read.
I keep trying to explain to myself how it's not like Inception, but I keep losing. I guess the journalism angle makes it different? Otherwise, love triangle, apocalypse and insanity - yep, it's like Inception. And I love it.
It's like The Neverending Story meets Neverwhere. It's creepy and eloquent. Pico's the new Odysseus.
Nick Lantz is the coroner of poetry. He's exhuming loneliness in the form of spam emails. He's reminding us of the pressure of being full of the act of forgiving. He's telling the horror story of the crack (we fall into) regulators.
This book rocks. Nuclear wasteland in Portland? Werewolves? Government corruption? Sign me up. The fast pacing and subject matter bring to mind Stephen King, Dan Simmons and Justin Cronin's work. I like how Percy took the real story of the almost-bombing at Pioneer Courthouse Square and made it work for Balor's lupine revolution. Claire grows from a weak puppy to a strong wolf-woman. And Chase, you've got to love to hate Chase. I read the book mostly to find out what happened to Miriam.